![]() To put it another way, the Daniels understand that she and her circumstances are already interesting. There are hints of the cosmic chaos to come, in the form of ominous musical cues (the score is by Son Lux) and swiveling camera movements (the cinematography is by Larkin Seiple) - but the mundane chaos of Evelyn’s existence provides plenty of drama. The first stretch of “Everything Everywhere All At Once” is played in a key of almost-realism.
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